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MONA: The Museum That Remade Hobart

David Walsh's private collection has become one of the most significant cultural institutions in Australia.

By The Daily Tasmania · Published 23 June 2026 at 6:08 pm

Updated 26 June 2026 at 6:08 pm

The Museum of Old and New Art, opened in 2011 in a former winery at Berriedale outside Hobart, has transformed Tasmania's cultural and tourism profile in ways that no public institution had achieved in the decades of effort that preceded it. David Walsh, the professional gambler whose betting systems generated the wealth that funded both the museum and his lifetime passion for art collection, created an institution that broke every convention of museum design, programming, and visitor experience to produce something genuinely unlike any other museum in the world.

MONA's underground architecture, carved into the sandstone cliff above the Derwent River, creates a visitor journey from the boat mooring through subterranean gallery spaces lit entirely artificially and arranged without the conventional museum logic of chronological or thematic grouping. The disorientation this creates is deliberate, Walsh's philosophical rejection of the museum's traditional role as an educational institution in favour of something more confrontational and more open to individual interpretation.

The Dark MOFO winter festival, MONA's curatorial team's annual winter event program, has extended MONA's influence from a museum visit into a city-wide arts festival that has become Tasmania's most significant arts event. Dark MOFO's programming, which deliberately explores difficult, transgressive, and dark themes in art, music, and cultural practice, has attracted audiences from mainland Australia and internationally who travel specifically for the festival experience.

The economic impact of MONA on Hobart's tourism economy has been substantial and measurable. Hotel occupancy, restaurant spending, and air passenger numbers have all increased since MONA's opening in patterns that economic analysis attributes significantly to the museum's drawing power. The concentration of this economic impact in Hobart has supported the hospitality development that has made the city's food and accommodation scene genuinely competitive with mainland Australian cities.

This article was compiled by AI from the sources linked above and screened before publishing. See our editorial standards.

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Published by The Daily Tasmania

This article was produced by the The Daily Tasmania editorial desk and covers community in Tasmania. See our editorial standards for how we use AI.

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